Search: Starring Viggo Mortensen

Crushingly predictable.

Harris the director handles both the personal moments and the action sequences well.

Taken as a whole, however, the director is trying too hard, pushing this family so far into caricature that we lose sight of the story of grief that is underpinning the shenanigans.

Cronenberg, a seemingly gentle soul on the surface, remains tortured by the possibilities of technology and how it may tear us apart.

Keira Knightley... will be tough to beat at next year's Academy Awards for her portrayal of Spielrein

A small and human story in the sweep of a West both mythic and mundane.

With its underworld themes and ambiguous protagonist, Eastern Promises plays like a companion to A History of Violence.

Characters come and go between these different worlds, emerging and re-emerging in different forms, as we explore different aspects of colonialism, responses to it, and survival strategies at personal and cultural levels.

Ana Piterbarg attempts the acrobatic and ill-advised feat of presenting the plot of a B movie noir through the prism of arthouse sombreness.

Mortensen seems to draw particular focus to the aggression, fear and pejoratives associated with neurological disorders - a side only ever faintly explored in cinema.

Tellingly, despite all this extra material, the film does not feel slower and does not become boring. If anything, it’s better balanced, with a more fluid sense of momentum.

Mortensen has gained weight. He plays Tony with confidence.

We feel rather as if we're watching Springtime For Hitler but with real gas chambers.

An unflinching indictment of the savagery at the heart of the American dream.

Hidalgo is Cliche City's nominee for the Been There award.

Penn had a definite feel for the incidental details and the everyday rhythms of small-town life.

Stunningly shot by cinematographer Timo Salminen, who illuminated landscapes as if they were Eckersberg paintings, the film is framed in 4:3 aspect ratio, creating the sense that there's always something just out of sight.

Has its moments of genius.

The Return Of The King is too long and slow. It has about five endings.

This is indeed the war of worlds

Douglas knows the territory well... he has perfected the iced stare to such a degree you worry in case the wind changes.

In remake heaven, where all clones meet, the only question is 'Why?'

Numerous small changes work together to change the character of the battle.

Pure, stripped-down bleakness, both in the desaturated drabness of its appearance and in the last-days essentialism of its themes.

There is more world building here than in any other part of the trilogy, and the additional material means it’s better balanced with character development.

Patricia Highsmith on a low flame

A patient, affecting study of human connection in unusual circumstances